Tag Archives: illustration

An Artist’s Quote


A Change of Pace

I'm writing from Texas today.  We're on the second leg of a pretty long tour of the U.S. while we introduce our baby boy to the extended family.  This long trip is forcing me to explore other facets of my work, and I think it's to my benefit.  Since my sewing and knitting machines stayed in Germany, I've focused more on knitting, illustration, and fonts...

In the knitting world, I'm working on a fairisle design for babies.  Here's my swatch:



If you're in Munich in February, I'll be teaching a class on fairisle knitting at the local yarn shop (contact me for details if you're interested!).

I've also been taking online classes on surface pattern design.  My most recent class was through CreativeLive and was the Pattern Design: From Hand to Screen to Surface with Molly Hatch. It was a refresher course for me since I remember learning one of these techniques when I did ceramics at University of Miami.  We learned some of these techniques when we were making tiles... like physical tiles from clay!  It's great to know that these age-old techniques can be translated to digital form.

Here's the rough from the class...

And a more refined version I worked on via Photoshop:

And, in the fonts world, I've been learning more about kerning.  It's a weakness of mine.  When I first ventured into typography and designing fonts, I didn't know much about kerning and it shows in my early fonts.  So, my goal whilst traveling is to re-kern my old fonts.  Wish me luck!  It's quite a tedious task to say the least.

Quickie Illustrations

From mid-July to this past Friday, there was a draw-along challenge kind of thing leading up to an art opening with the local Munich Artist's Group.  I dedicated a meager 15 to 20 minutes of time to these illustrations and I sadly couldn't keep up with the full 30 days.  But, I was happy to be illustrating again, and I did have a few really nice ones at the end of it.

Here is my favorite...

illustrate a place

And these were alright, too...

self portrait

favorite animal - chameleon 
a word - lackadaisical

Correspondence

I think the guy at the corner post office knows my name now-- which is great!  That means I've finally finished and mailed all the stuff that should have been sent out ages ago.

You already saw the finished baby blankets in the previous post, but I also finished a few other things!  A friend and I are doing a hand-lettered mail exchange.  Here's my letter to her:


Sorry, I know her address is covered, but underneath it's lettered really nicely. I wanted to respect her privacy, you know?

I also did this hand-made facebook exchange thing and I finally got around to making the items!

First, there's a hand illustrated postcard to a friend of mine.  It's an inside joke, but for the life of me, I can't remember the punchline.  All I remember is that many moons ago, I made my friend, VJ, a silkscreen t-shirt with the word "beefmaster" on it and a piece of toast.  Here's the concept revisited:


Then, there are the eye-glass cases I made from quilting scraps for two friends of mine who live in sunnier locations:


They were made using a simple cardboard template that measured 9" x 5" and then quilted and sewn together.  Is anyone interested in a tutorial?  Let me know in the comments if you are.

And finally, in the mail I got my contributor's copy of KnitNow's Issue #30 with my pattern on the cover! 


What a crazy awesome issue!  It has so many lovely extras like charts for colorwork lettering and magnet strips to keep track of charts.  Very handy!  And a lovely insert with cute winter accessories.  This issue has lots of quick knits at various skill levels, and it's chock full of knitted lovelies in general.  I feel so lucky to have been a part of the gang for Issue #30!

Up for Auction: My Print, La Semilla

Many of you have been long-time followers of my blog, and have probably wondered where my moniker "Adriprints" comes from.  I don't think I've ever explained it here on the blog.  When I was a student, I studied printmaking.  Printmaking was the medium I chose for most of my illustrations.

one of my prints, cicadas
 I especially love(d) etching, drypoint, and most intaglio techniques. I would draw directly on the a copper or zinc plate or transfer illustrations and then work with acid, scribes, rockers, and other tools to develop the plate's surface into an ink-able plate that I could run through a press.

a plexiglas plate with drypoint illustration on it
(photo by Emmy Horstkamp)
Wherever I was, in every stage of my life since then, if I found a printing press nearby, I'd print.  Once I moved to Germany, I found a press, but it was 1.5 hours to and and 1.5 hours back, leaving me with only an hour or two of working time... it was a bit too stressful, but I did manage to print a series even with the limitations.  So, eventually I turned to more immediate mediums like watercolor, graphite, and ink... and then sewing, knitting, and the fiber arts.

Back to the present...

"La Semilla", photo: Emmy Horstkamp
The print that's currently up for bidding is called "La Semilla" and it's from a series called "Los Anones".  It's a pretty personal topic since this series ties closely to my family and my origins. "Los Anones" was the name of an orchard that my family owned in Cuba.  One of the great-uncles was a world traveler and brought back seeds from his travels and would try to grow them in the orchard and this plant, annona squamosa, did really well in Cuba and that's how the orchard got its name.  But, here's the thing, I didn't grow up in Cuba.  I grew up in Florida since my parents were political exiles.  The only physical tie I had to my parents' and grandparents' roots were literally from a tree in my backyard growing up.  It was the only one I knew of its kind - a single anones tree.

photo: wikimedia commons
The print is a botanical illustration of the seed of an anon.  We tried planting the seeds from this tree, but they didn't take.  It hasn't flowered in a while, and I have to ask my mom to see how it's doing.

In any case, my print is now up for sale.  It's the first time I've tried anything like this where an audience can bid what they like for my work.  It's left me a bit vulnerable to say the least.  If small prints are up your alley, and you'd like to make a bid - it's open to worldwide bidders - you can see the auction here.

New Colors!

For about the last 15 years or so, I've had the same travel watercolor set.  I had taken it with me on trips here and there and all over.  Then, without even noticing, it was gone!  I looked for it to take with me on the last couple of trips, and thought it was just misplaced.  But, after a pretty comprehensive search through the earlier part of this week, and no gold, well, I gave up the old set for lost.

I was bummed.  Really bummed.

Then, I went to the art store with a friend and she went to another part of the store while I asked a shop employee for recommendations on a suitable replacement.  The set nearest to the one I lost was a bit too compact and had a water reservoir attached to it which was cool, but it was so limited in pigment pan space, that it just wasn't right.  She then showed me the set she has herself.  It's a set with 12 pans, but with space for 24 and fits a brush of regular size, too!  I was sold.  I bought two additional pans from their Horadam line - Manganese violet and a Dark red.

I don't know about you, but when I was a kid and received a new box of crayons, I tested out each color... So that's what I did here.


Yay! New watercolor set!  

Schmencke Set 75412 AKADEMIE® Aquarell, Solid metal box
with 12 half pans and space for 12 additional half pans
And, in 15 years, watercolor pans have changed a lot!  These pans are so much smoother and less grainy than before.  The pigment cakes dry way faster, too, and the colors flow much more like ink.  I'm kind of glad the old set retired itself.  Otherwise, I might never have known!


Playground Memories

The recent Lilla Rogers competition featured a playground theme...

Illustration Friday, Jungle Theme

This week's Illustration Friday theme was "jungle" and I was back at the drawing board early in the week and then again mid-week.  I was back and forth on what to do, but then I saw this poster by A.M. Cassandre, the French illustrator, painter, and commercial artist.


I really like the airbrush texture in his work, and wanted to see if I could somehow capture a bit of the grittiness in my own digital work.  Some of what bugged me about the spring horse illustrations of last week was that I couldn't capture the right texture.

Another thing I wanted to address was the lack of variety in the spring horse illustration.  It felt a bit blocked.  Maybe it was too much time on the digital work from the get-go, and not enough sketching.  This time, I had a goal of illustrating 20 different elements in one illustration.  I got close... I illustrated 16 different elements.  Baby steps!  For subject matter, I picked my fave jungle creatures and rolled with it.  This sounds corny, but I tried not to try so hard.


Okay, that's all for now!

Here's my sketch in case you wanted to see how this started.
one of the sketches for "jungle"

Cover Illustration, published

Yay!  I can finally publicize the cover illustration I did for Ann Kingstone's book Stranded Knits!


The book features some really lovely stranded color-work knitted jumpers and accessories.