Tag Archives: yarn

Sock Club 2014: March

If you’re looking for our Moonshine giveaway, look no further.

March Bag

March is a tricky month. At the beginning of the month, it seems like it should be spring. And yet, it’s most definitely not. Especially when you’re hit by a ton of snow, like we were today.

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But eventually the snow will melt. We will go through mud season, a seemingly endless period of cold mud with flooded grass, just teasing us.

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But it will start to dry out and we’ll be left with dirt and tiny, tiny sprouts of green grass.

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And then something wonderful will start to happen. We will start to see grass on the farm. Not yet the green grass of full spring month, but yellow-green grass that comes in a bit patchily.

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It’s hard to believe that by the end of March, spring will have sprung and we’ll see grass on the ground, but I’ve found photographic proof that grass always comes.

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And the grass will be quickly chomped on by the sheep and goats. Who will see that the grass is always greener on the other side.

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Much like our March Sock Club’s colorway…

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The yarn holds the promise of spring. That we’re on the other side of winter. That this is the first vestiges of the spring that we will have, with it’s yellow-green hue.

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Eventually we will have a deep spring green, but not yet. right now we have the promise of spring. That place between winter and spring called mud season. (Well, it would be mud season if we would stop getting so much freaking snow!) But by the end of the month, spring will be here.

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If you want to be notified for when memberships open up next quarter, sign up to receive an email. I will be releasing any slots that open up later this month and because the number are so limited, I will only be sending out an email to those who’ve signed up as interested, so don’t miss out on next quarter’s offerings!

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Tutorial: A Quick Dye Job



A couple of years ago, I asked a friend of mine who is a professional yarn-dyer how she dyed one of her colorways into a gradient.  I just couldn't imagine controlling the flow of color using the tradition ways of dyeing skeins.  So, she told me.  She doesn't dye the yarn in the skein, she dyes it while it's knitted up like a blanket.

((brainpop))

Materials:

  • 100g skein of yarn meant for dyeing (or natural fiber yarn that can be over-dyed) knitted into a blanket or scarf (a knitting machine makes this faster)
  • gloves
  • kettle to quickly boil water and mix colors
  • Kool-Aid packets (5 to 15 depending on color intensity - this tutorial used 5 plus a pinch of a 6th pack)
  • a microwave
  • plastic bag or surface protector
  • microwave-safe bowl big enough to hold knitted blank
  • jars to mix Kool-Aid (how many depends on how many colors you want to mix)
  • yarn swift

Using a vague version of her technique, I used the knitting machine to knit up one skein of yarn into a kind of blanket or wide scarf.

1 skein of Knit Picks Bare
Then, I soaked it in warm water while I mixed the Kool-Aid colors.  I used 6 small packets of Kool-Aid, and the yarn color is still quite light.



Kool-Aid "Recipes"

1) basic light blue = 1 pack of Ice Blue Raspberry Lemonade + 1 pack Berry Blue + a pinch of Cherry

2) darker green = three dips in the combo of 1 pack Ice Berry Blue Raspberry Lemonade + 1 pack Lemon Lime + a pinch of Cherry

3) yellow blending = 1 pack Lemonade

All colors used at least one full pack of Kool-Aid mixed in a small jar (about 1.5 Cups) of just-boiled water.


Dyeing Procedure

Once all my colors were mixed, I gently poured blue color onto blanket which was set atop a plastic bag big enough to cover my surface.  Note: I wish I’d rolled the wet blanket and dipped it into the bowl for more even coverage. Ah well!


Then, I poured some of the green dye into a bowl, and with a rolled blanketb I dipped the end of the blanket into the bowl with 1/3 green mix, then dipped again, but deeper, with 1/3 green mix, then even deeper with the last of the green mix to create a kind of gradient.

But, where there was a bit too much contrast, I added yellow, pouring directly from the jar and using my hands (in latex gloves) to kind of finger-paint the color.



Then, I cooked the blanket with enough water to slightly cover it in a Pyrex bowl in the microwave for about 3 minutes (checking on it and turning it every minute or so).

I rinsed the blanket in warm water, soaked in “Soak” then spun it dry in washing machine, and unwound gently to dry in hank-form.

after spinning it dry
winding slightly damp yarn is pretty easy

The colors came out much lighter than anticipated, but I'm still pleased with it.  If I want super-intense colors next time, then I could mix larger quantities of color (more Kool-Aid packs + more just boiled water).  But, this fairly non-toxic and relatively quick (with a knitting machine and microwave!) dyeing method appeals to me very much, and I think I will try it again in the future!


So... any ideas on what to make with the newly dyed yarn?


Finished Object: Crystallize Beret

This lovely hat is the second I've made of its kind.  My friend, Amanda, over at Dilettant Knits designed the hat originally for Knitscene.  When the design rights reverted back to her, she updated the pattern adding multiple sizes, and I was able to test knit it for her.  I gave away the first test-knit as a gift, and finally finished this one for me!





Pattern: Crystallize by designer Amanda Bell
Size: small
Yarn: madelinetosh Tosh Merino Light

Knitting Machine: Fairisle Experiments

I am a huge fan of fairisle knitting by hand.  I teach a course every once in a while to people who want to learn the technique, and I enjoy spreading the love of fairisle wherever I go.  It's one of those techniques that looks way harder than it actually is.  And, very recently (last week), I started to experiment with the technique on my knitting machine using the punchcards.  At first, I was stymied by some technical issues with the patterning.

See what I mean?

Weird!  Why is it only knitting in pattern every other row?!

It was time for some detective work, and I consulted the amazingly generous and talented members of Ravelry's Machine Knitting Group.  Seriously, they are so knowledgeable.  First, I checked the lever settings as was recommended.  No luck. Then, someone chimed in with a similar knitting machine, and said it could be an un-sprung spring in the undercarriage of the knitting machine.

If you notice, every knitting machine has a carriage that slides across the bed of the machine and it's got tons of tiny cams, gears, levers, springs, etc. underneath that carriage.  I turned mine over and started by looking to see if changing the different modes (tuck stitch, stockinette, fairisle, etc.) made any of those levers move.  They usually move symmetrically, but low and behold, mine did not!


Instead, I found wads of cat hair, fluffy junk, and some sticky, gummy springs.  But, luckily, I didn't have to reattach a spring.  Those springs are tiny. They were all intact, just gummy.  So out came the latex gloves, rags, and machine oil... Fast forward fifty cotton swabs, tweezers, and a dirty rag later...


BAM!  ZIP!


Success!

Thanks for your help, Ravelry Machine Knitting Mods!!   The Empisal Knitmaster 324's knitting smoother than ever.

I still prefer hand-knit fairisle for more complex patterning, and I especially dislike long floats like in that center pattern.  Yuck!  But now I know how use the punchcards on my knitting machine, and that's a start!

Unwinding

Sometimes you unsew, sometimes you unknit.  This weekend it was time to unknit and unwind... literally.


The project:
Avril in April was a contiguous method hand-knit top completed last year, but worn only once.  The sleeves and neckline were a bit too unflattering for me.  The neckline came down too low, and the sleeves were weird and poofy. Cool contiguous technique though!  The yarn used is a beautiful, bubble-gum/pepto/play-doh pink cashmere blend yarn.  So, I didn't want to just trash or donate it.  Despite the slightly pop-princess color, I truly love the yarn.  I also have some in play-doh yellow which I used for the stripes. I think it could be something else that I'd wear more often.  Yes.  Time to unwind!




Unwinding takes time!!


Every knitted stitch that was picked up needed to be unwound by hand with a hook or tapestry needle.  That took some patience, but in the end there's this!



 A bunch of little pink balls and one big hank.  So, how do you re-use the yarn once it's all kinked up from knitting?  Well, next, I'll secure the yarn off the winder.  Then, I'll soak it and hang it to dry with a knitting machine weight on one end.  When it's dry, I'll re-wind it into a yarn cake and knit it up!

FO: Twinsies Baby Blankets


I finally finished my first big machine knitting project/commission!  The blanket was machine knit in strips, sewn together, and finished by using simple crochet borders.  The green blanket used a single-crochet border followed by a triple-crochet plus single chain stitch to create the dashed-dot look.  The pink/purple blanket used a series of increasing crochet stitches to get a subtle scalloped look.  Both were then steam pressed from the opposite side with a damp press cloth to stop them from curling... but they still kind of curl.




Both blankets are done!  I've already packed them and prepped them for shipping. :)

blocking

close-up
It's the first time I've done a dedication/title block/ blanket info square.  Hopefully the end-user will know not to shove these in the drier.  These are 75% superwash wool 25% nylon, but even then, I'd still avoid the drier.

dedication square
 Yay! Now, I can focus on knitting stuff for my baby!

Previous posts about these blankets:
Boy Twin Blanket Complete
The Concept

Sock Club: February

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It’s time for our sock club members to open up their February packages! What do we have inside?

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Hay Bale! Hay is incredibly important to the winter maintenance of our animals. There’s no grass for them to graze on, so in addition to grain, all winter long they get fresh hay to munch on. This means regular hay deliveries. One of the great things about living in Virginia is that the price of hay is much cheaper than when we were on Martha’s Vineyard. Still, we go through 1,400 to 2,000 pounds of hay a week, and it adds up quickly.

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We have the hay delivered to the front of the farm, but once it arrives, it still needs to be moved back to the pasture for storage and then into the pen as needed (2-3 times a week).

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Amy is in charge of moving the hay. It is a very delicate operation, particularly in the mud, but I can’t imagine it’s as difficult as maneuvering a bus, which Amy has a license for.

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Inspired by the multifaceted yellow found in a round bale of hay, I got to work mixing up some colors. In addition to pure yellow, I also mixed up a brown and a yellow-brown solution of concentrated dye.

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Then measured it into the dye pot by the milliliter.

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Next came the pre-soaked yarn…

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I allowed the base color to absorb…

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And then added additional brown to get that hint of brown found throughout the bales.DSC_6201

In the end, I was really pleased with the tempered colorway that I came up with.

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What would some good patterns be for this lightly variegated yarn? I’ve found a few patterns that I think would pair well with this yarn:

February Socks

Top Row: A Roll in the Hay socks by Gina House / Ear of Wheat scarf by Natalia Sha / Winter Wheat socks by Valerie Wagoner
Middle Row: Gingko Shoulder Shawlette by Maggie Magali / Winesap socks by Darlene Hayes / Wintered Wheat Mitts by Melissa Schaschwary
Bottom Row: Winnow socks by Janice Kang / Katy mitts by Darlene Hayes / Yellow Dwarf Shawl by verybusymonkey

Do you have any other patterns that come to mind? Share them below! If you have ideas for March, email me (lauria at fiberfarm dot com) and I’ll share them in March’s post!

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A special thanks to Cris, who took the photos of me dyeing yarn.

If you want to be notified for when memberships open up next quarter, sign up to receive an email.

Show and Tell: New Stash

I finally got around to photographing some of the lovely new fabric I added to my stash last year...

My favorite is this Charles Rennie Mackintosh-inspired print from Liberty's Lifestyle Stile collection.  I luuurv it so much.  It tickles the sewist, quilter, and illustrator in me!  To read more about the collection see here.

This particular print is called "Mackintosh Red"

The second fabric I'm sharing is this lovely lightweight cotton lawn from Alexander Henry in a print called "Lydia".  It's a small chunk, only a half yard or thereabouts, so I'm not sure what to do with it yet.  Any ideas?

Sock Club 2014: January

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If you haven’t received your sock club shipment yet and want January’s colorway to be a surprise, don’t read any further. Go do something boring because I’m about to show you some pretty yarn!

This January brought with it the so-called Polar Vortex – icy winds that typically cyclone over the north pole headed south into much of the Eastern US, breaking record low-temps – including in Virginia. Although we’re grateful that the morning’s chores did not include this, like it did when the farm was in NY…

Why I moved to from NY to VA

The underground hose still was frozen, even after the temps rose above freezing. Amy started to drive water down to the flock in the tractor twice a day.

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Even last week when the temps were above freezing, the section of the hose that was buried underground to protect it from being run over by the tractor was still frozen. (Amy dug it out, and after some time in the sun it started working again.)

So it’s no wonder that for January I saw icy blue and white yarn. And it’s why I named January’s colorway Polar Vortex.

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As people who had to be out in the cold we were a bit miserable, but as farmers, we’re thrilled that it got so cold. Why? Because a hard freeze kills off parasites that lie dormant in the pasture during the cold months and that we have to work so hard to fight against in the summer months. This freezing, deeply-penetrating cold is going to leave us with a cleaner pasture – with fewer parasites – for the spring, when we’re due to have lambs and new mothers who are immune-compromised and would have a more difficult time fighting off parasites.

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So these ice cold winds are a blessing, even if it means driving water down or digging up frozen hoses. I’d take it any day over losing animals to parasites. (Of course that’s easy to say when Amy has to do the hard work of the water duty.)

Because we dyed some of the yarn in Virginia with Tanya and Cris’s help, but I was shipping it from Massachusetts, half of my suitcase looked like this:

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The other half held February’s yarn, but you’ll have to wait a couple of weeks before you can see that. I don’t mind telling you how anxious I was waiting for the suitcase to come off the conveyor belt at the airport!

While Julie and my mom were putting labels on tags and then putting the tags on the yarn, my friend Rachel was hand-stamping each bag, carefully comparing it to the previous bag for quality control purposes…

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Then each month was hand-written by yours truly…

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And then the bag tops had to be folded, holes punched into the top, the yarn paced inside, and then the package was tied at the top.

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Julie helped me package things up while I printed shipping labels:

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It was a relief when all the packages were lined up and ready to go to the post office! It took five days, and about 7 people helping (we expanded the number of club members due to popular demand), but the yarn went out right on time.

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Although I was happy to see it go, Polar Vortex holds a special place in my heart as a color. And as a parasite killer.

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If you missed out on being a club member and want to know when memberships will open up again for next quarter, you can sign up to receive an email.

Knit Now: Ammersee Top and Wind & Storm

When you design and submit patterns to publications, you never know what will strike an editor's fancy.  In this latest issue of Knit Now, Issue #30, you'll find that my knitting pattern, Ammersee Top, is on the cover!  Had she not told me ahead of time, I'd have scared the neighbors with my squealing for joy.  This is the first time I've ever had one of my designs on the cover of any publication, and it was a very exciting surprise I'm so glad to share with you all.

Ammersee Top, photo by  Dan Walmsley, (c) Practical Publishing

Ammersee Top is an alpine-inspired short-sleeved top featuring stranded colorwork, and hand-embroidery to finish the look.  The sample was knit over a speed knitting session of two weeks or so in the fall.  You may recall a bit of a hint when I revealed the button placket in this post here.

Ammersee Top, photo by  Dan Walmsley, (c) Practical Publishing
Also,  in this issue is a favorite pattern of mine which I've been trying to get published since I imagined it.  It's called Wind & Storm, and was inspired by last year's interminable winter (although it could totally fit with the U.S.'s current frosty situation).  The pattern remained in sketch form for a while, so I was so happy to work with Knit Now and Blacker Yarns in order to make it a reality.  The yarn is really cool - I used specifically Blacker Yarns Pure Organic Wool Corriedale with Black Welsh Mountain - it's a real working yarn with body, but softens after washing.  It has this lovely marled look, but still allows for great stitch definition.  I spit-spliced all the yarn ends so I had no ends to weave in when I was done knitting.  Also, because of the quick turnaround, I had help from a friend to knit the sleeves on this beauty... Thanks, Emma!!

Wind & Storm, photo by  Dan Walmsley, (c) Practical Publishing

Wind & Storm, photo by  Dan Walmsley, (c) Practical Publishing

Wind & Storm, photo by  Dan Walmsley, (c) Practical Publishing

Issue #30 of Knit Now can be found here: http://www.moremags.com/knitting/knit-now/knit-now-30-565