Monthly Archives: May 2016

Catching Up, A List

1. Being pregnant is hard.
2. I want to sleep all of the time, but constant sleep is not conducive to the doing of the stuff.
3. Like gardening

We might get some zucchini!
We might get some zucchini!

4. Those blackberries tho

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Our blackberry bush has gotten massive this year, and look at all those potential future berries.

5. I’ve been dropping hints here and there about starting a soap company. I am ever so slowly building an inventory, but see #1 for more info. But here’s a sneak peak.

From left to right: french vanilla soap, sandalwood soap, piney-woodsy-manly soap, earl grey soap, and lavender bath salts
From left to right: french vanilla soap, sandalwood soap, piney-woodsy-manly soap, earl grey soap, and lavender bath salts

6. I’m hoping to launch the soap company before the baby comes (in 11ish weeks!), but if not, look for it before the holidays. (And if you’re interested in my pumpkin spice soap, let me know soon, so I know how much of it to make this summer!)

7. De-cluttering ground to a halt, because we had to do all of the things in April and May. We started tackling the two last big projects this past weekend: the big kid room and my studio. There is a light at the end of the tunnel!

8. I am preparing a query to send to an agent for the book I wrote last year.

9. I realize I should probably try more than one agent, but baby steps.

10. While I didn’t set out to write a romance, my first book project turned out to be one. While thinking about a second project, I thought I might try to write a romance on purpose, so I found a book on romance novel writing.

11. As I’m reading this book, a lot of the advice felt familiar, and I remembered that I have a degree in creative writing, and you know, have apparently already written a romance novel, so I’m probably doing OK. (I read the whole thing anyway.)

12. It’s not a bad book if you’re just starting out though. Plus, she uses illustrations from a bunch of different books, and some are so intriguing I now have a whole new list of books to look up.

13. I am kind of excited to plan another novel project.

14. Except, I’m not so good at the planning part.

15. I love writing by the seat of my pants, but it’s not very efficient, so I am attempting to outline my next book before I start writing. It kind of sounds like torture.

16. In between being writerly, building a new business, and you know, growing a baby, I’ve been doing a little knitting.

Action shots once there's a baby to wrap in it, I promise.
Action shots once there’s a baby to wrap in it, I promise.

17. I wanted to make this new wee one a nice, heirloom quality baby blanket that didn’t use all of my brain power. Enter the twinkle blanket.

18. It’s knit out of 100% merino, undyed, and I am in love.

What have you been up to? (And what kind of soap do you want?)

Newport, RI – Part 3 – The Elms…

 

The Elms…

The Elms was the summer residence of Mr. and Mrs. Edward Julius Berwind of Philadelphia and New York. Mr. Berwind made his fortune in the coal industry. In 1898, the Berwinds engaged Philadelphia architect Horace Trumbauer to design a house modeled after the mid-18th century French chateau d’Asnieres (c.1750) outside Paris.

deb - The Elms

pizap.com14637846840792The original Elms circa 1897.

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I think the Elms might be my favorite…I mean they’re all beautiful in their over the top ornate way but somehow the Elms seems to be more cozy if that’s possible. Or perhaps it’s the fact that this piece of history came within weeks of being torn down !

The Elms was the summer residence of Edward and Sarah Berwind of Philadelphia and New York. In 1922 Mrs. Berwind died, and Edward asked his youngest sister Julia Berwind to move in and become the hostess of The Elms. In 1936 when he died he willed the house to Julia who lived there until she died in 1961.

This according to Wikipedia: Childless, Julia Berwind willed the estate to a nephew, who did not want it and fruitlessly tried to pass The Elms to someone else in the family. Finally the family auctioned off the contents of the estate and sold the property to a developer who wanted to tear it down. In 1962, just weeks before its date with the wrecking ball, The Elms was purchased by the Preservation Society of Newport County for $116,000.  Since then, the house has been open to the public for tours. The house was listed on the National Register of Historic Places in 1971, and was designated a National Historic Landmark in 1996.

Let’s take a look around the house and gardens before heading off to my favorite part of the tour !!!

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The conservatory… I could spend all my time in here…

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The back lawn and gardens…

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Julia A Berwind, sister of Edward Berwind.

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According to Wikipedia: Edward asked his youngest sister Julia A. Berwind to move in and become the hostess of The Elms after his wife died. In 1936, when he died, he willed the house to Julia, who  was well known in Newport. She would invite children from the nearby Fifth Ward (a working-class immigrant neighborhood) to the estate for milk and cookies. She had a love for cars and would drive around Newport every day in one of her luxury cars. This was somewhat shocking to the rest of Newport society where it was considered “unladylike” for women to drive themselves.

Now let’s get around to my favorite part …  the Servant Life Tour.  It’s 82 steps up to the 3td  floor. A balustrade around the roof of the mansion hides the entire dormitory-style third floor where single female and male servants lived in 16 rooms with 3 bathrooms. Married staff lived offsite. The back staircase kept the staff very much behind the scenes as they went about their duties,

pizap.com14639572316861There was also access to the roof and a beautiful view of Newport..

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From there we headed back down the 82 steps to the basement to view the coal-fired furnaces and the tunnel from which the coal is brought into the basement from a nearby street, there’s a little coal in the corner to give you an idea of how massive this coal storage area was. Seen here is also the laundry room and kitchen.

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That concludes the tour of the three mansions we visited.  But that’s not all so stay tuned for more.   In the meantime let your imagination take you away to a midnight stroll in the garden… happy dreaming.

deb

(photographs by my daughter Deb and myself)


Thoughts Post Surtex 2016

Finch & Foxglove 2016: V. Lommatzsch, N. Kaiser, L. Kirkbride, M. Penny, A. Bentley,
T. Paget, C.B. Keller, and me at the front
It's just a few days post-Surtex, and I've got a lot of follow-up emails to write (yay!). Before things get too crazy, though, I wanted to post my initial thoughts on investing and exhibiting at a tradeshow like Surtex.

If you've followed my blog for a long time, you know that I have been in the creative industries for many years, but was on maternity leave and focused on textiles and sewing in 2014-2015. I knew that if I was going to get back into illustration in a serious way, that I had to be strategic. Having a toddler and an artistic career is a balancing act to say the least! So, I knew I had to really plan out how I was going to do that! First, I had to make sure my work was top-notch before I exhibited. So, late 2014 through 2015 was all about brushing up my skills and updating my portfolio. In the summer of 2015, I started my art collective Finch & Foxglove and created a safe space for sharing work and getting feedback. And in order to freshen up my contacts, I also started sending my work to dream clients (essentially cold-calling). In doing research about which clients attend what shows, this led me to figure out that...

Surtex is not for everyone.
What kind of art do you make? Is your work best suited for fabric or apparel? Then this isn't your best show. Check out Quilt Market, Printsource, or Premier Vision. Is your work appealing to a broad audience or is it super-niche? If your work is super-cool-edgy-badass, know that the majority of  Surtex attendees' end customers are your average American. There are some attendees looking for this, but you should be in contact with your dream clients long before the show and ask them what shows they attend. Is this the show your dream clients attend? No? You might be better served by exhibiting at NSS or selling directly at Renegade Crafts. Check your expectations. I think Happy Happy's 2015 Surtex Recap has a great Q&A session with their artists that covers expectations and the industries that attended in 2015. It was slightly different this year.  And finally, where are you in your career? Are you on a fixed income or deep in debt because...

Surtex is SUPER expensive.
Got $10k? Well, that's what our 10'x20' booth cost. Honestly, it was actually more expensive than that, but that gives you a rough idea of what you're gonna be spending for a double booth. This size is a necessity when showing with 6 or more people. Ronnie Walter's blog post "To Surtex or Not to Surtex" did a really great job on explaining just how expensive the show real-estate is, and how this may or may not be the right avenue for you. This, my friends, is why I chose to start my own collective!

Finch & Foxglove's 2016 Surtex Booth
Surtex is really big.
It's not as big as it used to be, but still. You'll be among 150+ exhibitors at Surtex showing illustrations and designs, neighboring 200+ exhibitors at NSS, and I have no idea how many ateliers for ICFF. All 3 shows run concurrently at the Javits Center. Are you good with people? Do you have work that will stand out?

Exhibiting at Surtex is complicated.
Booth specs. Contracts. Logistics. Shipping. Air travel. Lodging. Booth insurance anyone? And the Surtex exhibitor's website is deep. I'm talking nested within nested within nested menu items that would take several months just to uncover. Do instruction manuals scare you? Get ready for an ancient PDF made up of 20 years of random applications packaged together also known as "The Exhibitor's Manual". If project management isn't your thing, hire out.

Surtex is in NYC.
What Surtex does have is a great location that is easily accessible via the 7 train, and access to a ton of contacts in the stationery, paper goods, home decor, gift manufacturing, toys, and textiles industries. So if your work fits those markets it might be worth it for you!  Also, this mix of attendees changes every year since you cannot predict who will (or won't) attend.

Lingering Questions
How should I best show my work? Ready to go solo? What about group exhibiting? What's the best way to form a collective? So how do you get these attendees to come to see your work? That, my friends I'll leave for another post... or maybe a book? As far as blog posts go, this one's gettin' way too long!

Weekly Challenge: Jubilant…

The prompt this week is julilant.  ‘Jubilant, adjective: showing great joy, satisfaction, or triumph; rejoicing; exultant.’

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This is the time of year when high school and college graduates are definitely feeling jubilant.

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Weeding 2

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How often (if ever) do you weed out your library?


Don’t forget to leave a link to your actual response (so people don’t have to go searching for it) in the comments—or if you prefer, leave your answers in the comments themselves!


The Lilac House …

Oak Bluffs ~ Martha’s Vineyard

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Horrifying.




ONE post since the beginning of the year?  

Spring show accomplished between DAYS of rain.  We were SO lucky.  It poured last year the ENTIRE TIME.


Once we returned home I packed up and headed to visit my Mom and bring her back to my house in Fredericksburg.  She bought me a tree for my birthday!  It will be delivered tomorrow.  And IF the rain is not too bad I will put it in the ground.  Our back yard was a blank slate when we moved here.  (And I CAN'T believe I have no pictures of our empty yard!  All I have are pictures towards the house of the addition...)  But here you can see I am making headway.  The crepe myrtle is all that was there before.  Baby steps....a fence will be added next year.


 Thanks to friends with transplants!  I am determined not to plant anything treated with the neonicotinoids that are harming the bees.  I don't know when they started that, or how long (maybe forever??) they are harmful but at least I am doing my best by buying only from nurseries that don't use them any longer (and most in Virginia still do) or go the transplant route. :) There will be lots of daisies, cone flower, black eyed susans, lillies, peonies (another birthday gift) and more.  The dogwood that arrives tomorrow will go somewhere in the back corner...

While here Mom wanted to stop in at LibertyTown...where she found this gorgeous pot by Scottish potter Hannah McAndrew.  




It really is a treasure to be able to buy her pots here in the states....if you love her work come down to Fredericksburg!

After Mom's visit Greg and I took off for Florida.  It has been raining here in Virginia for WEEKS.  All sun in St. Augustine.




There are LOTS of wonderful galleries in St Augustine.  This is a piece that was in  Amiro.  This piece is an awesome example of Estella Fransbergen's work.  Raku and wire.  AMAZING.







Every time we drove from our hotel to town we passed a nursery full of these gorgeous pots from Mexico.  One big one and a few small ones came home with me.  It was hard to choose!!



And now we are back to rain.  But I've used this day to lunch with friends and start stocking up the Etsy shop!  

So now it is back to business!





WIP: Mrs Crosby Reticule Shawl (Part 2)

in progress main bodyI’m in progress on the as-of-yet-still-unnamed Mrs Crosby Reticule Shawl. My goal date for the sample to be finished is the June summer TNNA show.

I frogged my initial prototype.

I just wasn’t liking it. In fact I was rather hating it.

You may recall I posted about this shawl about a month ago.  It’s a companion piece to Isn’t It Romantic?, but worked in laceweight yarn (Mrs Crosby Reticule, 100% merino) and a totally different shape. It (still) starts with a few cast on stitches, and grows into a wedge/curled shape shawl.

The main body of the shawl HAD a simple stockinette and lace panel design. I even sort of blocked it out, keeping it on the circular needle, to see how it would look. It was, to me, for this project, boring and a little messy looking.  I didn’t like the edges. I didn’t like the lace rib.

One of the things that I’ve found as a designer is that I can go through several love/hate phases on a project. Even if there’s a time I’m not really sure of a project, often if I trust myself and power on, all will turn out fine.  I didn’t get that feeling of uncertainty on this one, though. I was simply hating it.

That’s part of being a designer, too – knowing when something isn’t working, and trusting yourself on that, too.

And it is always better to frog sooner than later.

I spent a day playing with different stitch patterns (I use Stitch Maps in lieu of swatching and as an initial check on stitch counts) and redoing the charts. I ended up choosing a very pretty leaf lace panel, from one of the Barbara Walker stitch dictionaries, for the main body of the shawl.

It now makes me happy.

#MeMadeMay 2016

Last year I was late to discover the hashtagged movement to wear something from one's own hands every day in May. This year I am giving it a go – although I am not posting daily pix on Instagram. Many of these projects have already put in appearances there, although they have not yet gotten a full blog treatment here. So I'll annotate this accounting of what I've worn so far, and plan on details in other posts:

May 1 - Cowichan-style vest – because we were in the mountains for the weekend and it was crazy cold! 

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May 2 - Endless Summer Tunic & Alabama Chanin bolero – because the next day the weather completely changed! 
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May 3 - That same AC bolero over fave dress with matching visible mending 
May 4 - ditto because some days I am dressed in workout wear for half the time

May 5 - Tempest cardi (Ann Weaver design for Knitty, made in 2009)
May 6 - Alabama Chanin Verd T & matching long skirt (my latest achievement!)
May 7 - Stopover sweater – because I'll follow Ann & Kay to the moon, and the Saturday of Maryland Sheep & Wool was right chilly

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May 8 - Threadless-recycled Alabama Chanin skirt & Doodler shawl
May 9 - Smooch Rowan tank & Threadless AC skirt (reversed so the other side was in front)
May 10 - Smooch again with jeans & Unleaving shawl – I knit this tank in 2003 when it was an early bloggers' knit along
May 11 - Tiered cotton skirt – an oldie dating from Little B's preschool days
May 12 - Verd T & pink linen pants I sewed at VisArts one night with coworkers
May 13 - Workout wear all day, which was bound to happen
May 14 -  Alabama Chanin orange recycled-T tank
May 15 -  Triple S shawl 
May 16 - Charlotte's Web Shawl, the Koigu classic I knit in 2005

May 17 - Sockapolooza socks knit by someone else; remember Sockapalooza? I think I participated in at least two of those trades.

May 18 - Rooibos vest and Volt shawl

May 19 - workout wear again, alas

May 20 - My firstest AC Bloomers skirt of thrifted blue and purple Ts

May 21 - Volt shawl

May 22 - Beloved Chicknits Twist cardi, in May! 

May 23 - Triple S Koigu shawl

May 24 - Another Chicknits: Cece shrug

May 25 - Rowan Elspeth shrug, in Calmer like the one above

May 26 - Endless Summer Tunic

May 27 - Sonya Philip Dress No. 1

May 28 - this is a doozy: a silk dress I sewed c. 1991!

May 29 - Dress No. 1 again

May 30 - Violets by the River shawl

May 31 - AC long skirt

What a fun month! Will look forward to doing this again next spring. 

 

Face …

The prompt this week is to show the picture of a face, or in this case, faces.  I purchased this stone sculpture from a Native American artist on Martha’s Vineyard a few years ago.

I asked him how he knows what to sculpt and he told me that he has to get to know the stone first… let it speak to him and tell him what it is meant to be…  only then does he begin the process of letting the spirit emerge from the stone.

This particular stone has two faces.

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The face of a Native American.
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The spirit of an eagle.

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Something I find interesting about these sculptures is that when you’re holding them they’re both cool and warm. Perhaps it’s the spirit from within.

 

 

https://dailypost.wordpress.com/photo-challenges/face/