Bet you didn’t know there are two Rockefeller Christmas trees !
Chester, New Jersey
:)
(CLICK HERE for Rockefeller Bldg in Chester, NJ)
(CLICK HERE for Rockefeller Center, NYC)

Bet you didn’t know there are two Rockefeller Christmas trees !
Chester, New Jersey
:)
(CLICK HERE for Rockefeller Bldg in Chester, NJ)
(CLICK HERE for Rockefeller Center, NYC)
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Tagged christmas, holidays, New Jersey, New York, Photographs, seasonal, trees
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Tagged christmas, decorations, holidays, ornaments, Photographs, words
Weekly challenge prompt: This week, share a photographic “Oops!” moment with us. The fiasco could be what’s in the picture: anything broken, jumbled, or otherwise cringe-worthy (ugly sweaters are encouraged!). Or it could be something in the photo-taking itself, from the tip of your finger ruining a meticulously framed panorama to an inopportune shadow messing up a family portrait.
Go funny, or serious, or go with a mixture of both —
*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*
This photo is my oops moment…
Before I had a digital camera I was taking pictures of the Gay Head cliffs at Aquinnah, on Martha’s Vineyard. It was mid-February and the beach was covered with rocks and stones. It was mid-February, about 28 degrees, I had gloves on accidentally caused the camera to open for a split second. I hurried to the camera shop to see if I had lost all my pictures and when they were developed this was the picture I had taken just before the camera opened. My oops picture turned into an ‘oooh picture’.. I love it
The picture below was taken near the same spot a day later…
https://dailypost.wordpress.com/photo-challenges/oops/
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Tagged Photographs, postaweek, postaweek/postaday, weekly prompt
I’ve been to Martha’s Vineyard around Christmastime but to my recollection there is only one time in my life that I actually spent Christmas on the Vineyard. I was probably around 5 or 6 and my mother and I went to MV to be with my godparents.
Edward and Gertrude Norris (Nana and Pop) were my godparents. They lived part of the year in their house in Oak Bluffs which is where I spent my childhood summers. The other part of the year they lived in Newark, NJ downstairs in the same house we lived in. They were the most important people in my life besides my parents. They never had children of their own and they thought of us as their family. When my mother graduated from high school on MV she moved to Newark, NJ to live with them and to find work.
One Christmas, in the early 1950’s, when Nana and Pop were elderly, having health problems and living year round on the Vineyard and missing us, my mother decided she and I should go and spend Christmas with them. I was too young to realize this might be the last Christmas for one or both of them, all I knew was that I was going to wake up Christmas morning ON THE VINEYARD. How great would that be. The only glitch was that my dad couldn’t get off work to come with us but he insisted we go. Talk about being torn.
I seem to remember there was a dusting of snow on Christmas morning… even if there wasn’t I like to think there was. There were presents… one in particular I remember because I asked for it every year. A nurses kit. It was a white square box with a red cross on the side. Inside were band-aids, gauze bandages, a wooden thermomenter and a stethescope, a name tag… and the most important article.. a nurses cap. I spent the most of the morning bandaging people up whether they wanted to be or not.
All of a sudden I heard a faint knock on the front door !! I ran to open it and let out a shriek… it was my dad standing there with a big smile and a shirt box. A shirt box !! Yes indeed that’s all he had with him. No suitcase. No duffle bag. Just a shirt box with a couple of clean shirts and other essentials inside it. He liked to travel light.
It turned out to be one of the most wonderful Christmases of my childhood.
A few years ago I found this letter that my Pop had written to me for my 6th birthday in 1948. After Nana died he pretty much lived alone except for the two summer months we spent with him. I loved to listen to his stories of working on the steamships in Massachusetts and later being a bank guard in NJ. Pop couldn’t walk without the aid of a cane and even then couldn’t walk far, certainly no further than the front or back yard. Almost everyday we’d have our lunch together under a tree in the backyard and then in the evening we’d listen to the radio together. He liked programs like ‘The Shadow’ which scared the bejeebers out of me and made it hard for me to walk down the dark and seemingly endlessly long hall to my upstairs bedroom. The hardest part of my summers was saying good-bye to him… I wouldn’t cry in front of him but the tears spilled out of my eyes the moment we left the house. I still find it sad and emotional to leave the Vineyard and I’m sure those moments from long ago have a bearing on it.
I am blessed to have the memories of that one Christmas on Martha’s Vineyard and of Nana and Pop, two people who were such an important part of my life.
….and happy holiday memories to all.
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Tagged christmas, Family, holidays, Martha's Vineyard, Massachusetts, New England, New Jersey, Oak Bluffs, Photographs, seasonal
The Knitter’s Book of Knowledge by Debbie Bliss, Lark, 2015, $29.95, 320pp.
So many online knitting references exist: YouTube videos, blog tutorials, and so on, for just about any technique you can think of. My first tendency if I have to double check a technique is to simply Google it.
However, one of the problems with doing an online search is that you have to know for what you’re searching: how to phrase your search to get the results you want. That’s not the easiest thing to do, especially when knitting terminology can vary. (This is also a factor, say, if you’re trying to find something in exhaustive books such as Principle of Knitting via searching through the index).
The Knitter’s Book of Knowledge touches upon a plethora of topics, each concisely described and clearly illustrated, ranging from beginner topics (how to work a knit stitch either Continental or English) to more advanced topics (shifting colors to the right or left while working intarsia).
The layout is very easy (and enjoyable — this is a lovely book) to read and flip through.
If you’re a beginner knitter, I think this book will suit you quite well. Once you’re ready to explore more advanced techniques, this book gives you a good introduction, and the knowledge to use as a basis for learning more. If you’re already more advanced and are a technique junkie (raising my hand), you may want more details than this book gives you; but, it serves very well as a quick reference, and often, if you’re double checking on something, that’s all you need. Given the scope of the book (from casting on to finishing techniques and a bit of everything else in between), I think it does a fantastic job.
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Tagged Knitting, Reviews & Interviews
I’m guessing most of you like reading (or why would you be here), how do you feel about audio books?
For me, “reading” means using my eyes, not my ears. As much as I acknowledge their usefulness while doing chores or using your hands, I only ever use audiobooks for the rare long drive–listening, no matter how pleasant, is not READING, yet people persist in telling me they like to read and that audio books are their favorites. Am I the only one to feel that’s just not the same thing?
Don’t forget to leave a link to your actual response (so people don’t have to go searching for it) in the comments—or if you prefer, leave your answers in the comments themselves!
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Tagged Wordpress
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Tagged architecture, christmas, churches, glass, holidays, New York, Photographs, seasonal, windows
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Tagged architecture, christmas, churches, glass, holidays, New York, Photographs, seasonal, windows
Now that you are thinking of yourself as an entrepreneur and have started on your branding journey, you have to be ready to sell, right? What’s left? You’re never going to make any money if you don’t sell, right?
Correct. If you never start selling, you won’t make any money–but you know what else makes you no money? Setting your prices to low.
I know you’ve heard that your prices are probably too low before, and there is a reason for that. A lot of new entrepreneurs want to sell their work for the lowest price possible because they are afraid no one will buy it otherwise–it is a chronic problem. It is also a trap, one that I am begging you to avoid.
Prices are hard. How do you even start to quantify your hard work? Is the love that you put into your pieces worth a number? Does it matter if you would keep making those scarves, mugs, prints, earrings, lip balms, etc. even if you weren’t selling them? Yes. It matters.
If you want to continue your business long term, you have to make enough money to keep it going.
Chances are, you probably want to make enough money to quit your day job. To do that, the prices on the items you sell have to accurately reflect not just the cost of their production, but also cover your mortgage. And if you don’t want to eat ramen for every meal, it’s good to be realistic up front about how much you need to make and how much you can reasonable expect to charge for your product.
How to Figure Your Pricing:
Step 1: Figure the cost of goods sold. You need to know how much everything costs: your supplies, shipping and packaging, branding materials, website, studio space, advertising. This also includes your hourly rate, and feel free to give yourself a raise. You are working your ass off to get this business off the ground.
Add the cost of the supplies that goes into each product plus the amount of time you spent on each product plus the costs of packaging and promotion. This gives you the cost of goods sold. (The investment you have put into each individual product.)
Step 2: Do your research. How much are other makers selling similar products for? Take a look at etsy and local shops that sell items similar to what you make. What are their price points? Keep in mind that some markets vary a lot on the sort of product they can sell. A gift shop at an art museum is going to have much higher price points than a corner grocery store, which is going to be different from an artist’s collective or boutique. Where does your product fit best? If you’ve done your branding homework, this should be an easy question to answer.
Step 3: Take your cost of goods sold and multiply it by two. Then multiply it by two again. The first number is your wholesale price. The second is your retail price. Compare these numbers to your market research. If the number is too high, work to get your costs down. Look for new suppliers, make more efficient use of your time, but do not decide to pay yourself less. That hourly rate is non-negotiable.
The other thing that’s non-negotiable, is that step where you figured your wholesale pricing.
I know it’s tempting to make that wholesale price your retail price. You will probably sell twice as many $1.50 lips balms as you will $3.00 lip balms, so it’s no big deal, right? Sure, maybe you will, but then you’ll have come up with containers and oils and packaging for twice as many products on half the money. If you’re selling your lip balms at shows and online one tube at a time, $1.50 isn’t a very big return, even if you’re selling ten a day. That’s $11.50 per day vs. $30.00 per day. (See how that number more than doubled there?)
The other major thing to keep in mind is that while most artist-entrepreneurs start out at shows and online, getting into brick and mortar stores can become your bread and butter. Brick and mortar stores like to place large orders all at once. That’s good for you, because instead of getting your money in $3.00 at a time, you can sell a shop 50 tubes of lip balm at a time and you get $75.00 all at once. That’s money that it normally would have taken you three to four days to make that you just made in one.
The lump sum is the first reason you need wholesale pricing. Another is that if you don’t offer discounted pricing on your work to stores that are buying from you in bulk, they will flat out not buy from you again. If you charge a shop the same $3.00 you retail lip balm for, that means the shop has to sell it for $5.00 to $6.00 to recoup their investment. That’s getting to the high end of the lip balm spectrum and could be difficult to sell. On top of that, if customers find out that they can undercut the store by going directly to you, you might get the business of a few people buying from you one time, but you’ll lose multiple large orders from that store because they can’t sell your product. You want those consistent lump sums.
The most important reason of all that you need to know your wholesale pricing before start selling is because knowing your wholesale price gives you power. Whether you’re trying to sell at a show, working with a buyer or negotiating with a collaborator, you know the bare minimum amount that you can accept for your product, and you can even set a minimum amount that a person needs to order to get that price. Setting your terms up front makes you look good and engenders trust. When your customers trust you, they are a lot more willing to give you their money so you can pay your mortgage. And that is always a good thing.
Next week we’re talking the glory that is a line sheet. Hold onto your hats, ladies and gentlemen, it’s going to be a blast.
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Tagged business advice for artists, Business Savvy, how to price your art for sale, pricing, pricing your art, wholesale pricing, wholesaling, why you need wholesale pricing