Tag Archives: WIP

WIP: Sarah’s OJAI Hooray Sweater – Cables!

Hi friends! It’s Sarah, your friendly neighbourhood sweater-knitter. I’m so pleased to be back to talk some more about my Ojai-coloured sweater-in-progress!

At the end of my last post, I mentioned a provisional cast on. The Hooray Cardigan has a really neat double layered collar: first, you work a provisional cast on (the red yarn in the photos!) I used the crochet provisional cast on shown here, because it’s so easy to undo when you need to liberate those stitches!

Starting to knit!

Halfway through the ribbed collar piece, you add a turning ridge: a row of purl stitches on the right side that helps the collar to fold naturally.

Hooray Collar Turning Ridge

When you have an equal length of ribbing on each side of the turning ridge, you undo the provisional cast on.

Hooray Ribbed Collar Provisional

Then you fold the collar over so it’s double layered, and work the cast on stitches together with the live ones on the needle!

Hooray Collar Attached

The effect of the double-layered collar is both that it’s firm enough to stand up on its own, and that it’s very warm and cozy :)

Once I finished the collar, I got started with raglan shaping, reverse stockinette and CABLES! This sweater has two types of gorgeous cable:

This one:
Hooray Cable 1

And two varieties (left and right leaning) of this one!

Hooray Cable 2

I really love cables, partly because I think textured knitting is so beautiful – especially when it shows off a special yarn like Juniper Moon Farm’s share yarn!

Hooray Cables

I also find cables really satisfying to work because the effect of a simple action is so magical. Working your stitches in a slightly different order suddenly results in these amazing, dynamic, twisting shapes!

Working a Hooray Cable
Well, I think cables are magical anyway :)

Hooray Cables YEAH!

These twisty green cables are starting to remind me of vines – or maybe that’s just wishful thinking. It’s definitely starting to feel like spring on Vancouver Island!

Sarah hangs out with her cat, drinks a lot of tea, sometimes eats pie for breakfast and knits as much as possible in beautiful Victoria, BC.

WIP: Berzelius

I’m so close to my Berzelius scarf being done! I’ve got about 4.5 ribbons done, so all that’s left is finishing up the final ribbon, working the edging, and then weaving in the ends. (Maybe I should tackle weaving in the ends first so I have less to do.)

Berzelius 4.5

Yesterday when I went to continue on my scarf, I couldn’t find my hook! I knew it had been right by the couch, but when a quick search wasn’t turning anything up, I decided to use another hook in the same size. Woah, what a difference! What had been a very smooth, pleasant experience suddenly seemed difficult and… squeaky. Like what you’d expect cheap yarn to feel like, not the luscious Herriot that I adore.

That led me to looking much harder for my original hook. I found two hair ties, bits of yarn, a circular knitting needle, a tape measure, a combo needle/hook, a glove, and a note from Christmas…2011. Finally, I found my hook!

Two Hooks

I think everyone here will likely agree that the yarn we use is really important to our happiness not only with the finished object, but also our enjoyment during creating the object. But it’s easy to forget that our choice in hooks and needles is just as important as our yarn choice.

Mystery and Bates

I would expect a big difference if the hooks were different materials (plastic, metal, wooden), both hooks are metal. One (green) comes from my Meme’s stash (French-Canadian nickname for Grandmother) so I’m not certain if it’s aluminum, but that would be my guess, and the other (blue) is a Susan Bates’s that I picked up at a Big Box craft store, so it’s definitely aluminum.

Let’s take a quick look at the different parts of a hook, so we’re all speaking the same language:

Anatomy of Hook

Some of the big differences in the hooks were the shape of the point, the surface of the throat, and the paint treatment.

The points of both of these are very different. You can see below that the Bates hook has a much more rounded point than green one. I found that this made it more difficult for me to get the hook into the stitches.

PointPoint 2

Another difference was the surface of the throat. You can see below that when the throat was cut on the Bates hook was not fully smoothed before the paint was applied. I don’t have any other Bates aluminum hooks, so it’s impossible for me to tell if this is how Bates hooks are typically made or if this was something that slipped past on product inspection. It caused much more resistance against the yarn which slowed me down and made it more cumbersome.

Throat

The final big difference which is impossible for me to photograph is the difference feel of surface. It’s hard to tell if it’s just the paint treatment or if the metal was smoothed more on the green one before it was painted, but it feels different and the Herriot yarn downright SQUEAKED as I moved the loops to the shaft. Yuck! Not something I like or equate with crocheting!

A small difference that didn’t seem to affect me much for this project, but could on others was the depth of the throat. You can see below that the Bates hook has a more shallow throat underneath the hook itself. I was worried at first that my yarn wouldn’t catch on the head, but it caught just fine.

Depth of Throat

Now, even though I’m not a fan of this Bates hook for this project, that doesn’t mean that I won’t find it perfectly acceptable when paired with another yarn in a different project. Each hook or needle has its place when working with different materials. Although, I think the reason why I don’t have any other Bates in my hook stash is that when I was a regular crocheter I found that I didn’t like working with them in general and Boye fit my hand better. That may be different for you! And my favorite hook is a wooden hook that was hand made.

Berzelius Close Up

Next time I’ll get to show you my finished scarf! I can’t wait!

WIP: Sarah’s OJAI Hooray Sweater – Swatching!

We’re starting a new weekly series of people posting about the projects that they’re working on with JMF yarn. I immediately thought of Sarah because she always knits such lovely sweaters out of her yarn shares. Next week we’ll feature a different project, but we’ll be following along with Sarah until she’s done her sweater.

Hello friends! I am so excited to be sharing my sweater knitting adventure with you all. Over the next couple of months, I’ll be knitting up a warm, squishy sweater using my 2012 Juniper Moon Farm Spring Yarn Share, dyed in the luscious green OJAI Colourway!

OJAI Yarn!

After lots of deliberation (and some helpful input from other Aunties in the JMF Ravelry group), I decided my OJAI share would make a perfect Hooray Cardigan. I chose Hooray for a ton of reasons – because of its interesting construction and fun cables, because I love cardigans, and because I think the shape will be flattering on me, but also because it will really show off both the crisp and bouncy texture AND the lovely hand dyed colour of this particular yarn – Juniper Moon Farm’s 100% Cormo Wool Spring Share yarn!

Because this yarn is GORGEOUS and squishy and the colour is the perfect perfect springy green, it deserves to be knit up into something special! I know I’m using a lot of exclamation marks… I can’t help it. I’m excited!

Winding up Ojai

The next step – SWATCHING! I know, not everyone’s favourite thing. But because the Hooray Cardigan pattern calls for DK weight yarn, and the OJAI share yarn is worsted weight, swatching was key!
Swatch!

I swatched with two different needle sizes – 4.5mm, the size called for in the pattern, and 5mm, for comparison. The sweater is knit flat, so I worked the swatches flat too. I added a border to make measuring easier. After a quick soak and an air dry,

Washing the Swatch

I measured my swatches,

Measuring the Swatch

aaaaannnddd (drumroll)…. Both swatches were very close to the pattern gauge!

In terms of stitch gauge, the 4.5mm needle swatch had a few more stitches per inch than the pattern calls for, and the 5mm swatch had a slightly fewer stitches per inch than the pattern calls for. In terms of row gauge, both swatches were a bit off – but the sweater is knit from the top down, so it will be easy to just try it on as I go and adjust the length as needed.

What does this mean for my sweater? Let’s do some math! I used this excellent article about swatching and adjusting gauge from twist collective. My bust measurement is 37″ and the pattern size closest to that is the 38″ size – that’s the pattern size I will knit.

How will my gauge affect the size? First, I figured out how many stitches I would have at the suggested gauge: The stitch gauge in the pattern is 5sts/inch – so, for the 38″ size, 38×5=190 stitches at the bust.

With the 5mm needle, my gauge measured 4.95sts/inch. 190 bust sts/4.95sts per inch= approximately 38.4″. With the 4.5mm needle, my gauge was 5.05 sts/inch and therefore would measure approximately 37.6″ at the bust.

Decision time! I thought about which fabric I like better in terms of density and drape, and whether I would rather have a little bit of positive or almost no ease. The pattern suggests that the sweater looks best with a bit of positive ease, and I like the feel of the fabric knit with the 5mm needle better – so 5mm needle it is! I will have about an inch and a half of positive ease, on my body.

With swatching finished, it’s time to cast on!
Casting on!

What’s that red yarn, you’re wondering? A provisional cast on! More on that next time.

Sarah hangs out with her cat, drinks a lot of tea, sometimes eats cake for breakfast and knits as much as possible in beautiful Victoria, BC.

If you’re interested in contributing to the WIP posts, please email lauria AT fiberfarm DOT com with the subject line WIP contributor.

WIPS: quilt, sew, knit…

Just to fill you in on projects from earlier this year.  My 2012 resolutions still stand for the most part, and my biggest gap is that I may not be able to finish this quilt in time!

Here's my progress so far...



I'm so close, right?  Since I took this photo, I've already stitched in the ditch 60%, but the free-motion quilting remains to be done as does the binding.  I'll keep you posted!

In knitting, I've finished the final worsted weight project in a line for boys' knitted garments... a cute 2-color shawl collar pullover.  It's still blocking and drying.


I'm also halfway through the body of a knitted vest design I'm working on... but more pressing deadlines have taken over since the vest will be a self-published project.


And in the sewing world, I started to lay out the couture dress from Susan Khalje's Craftsy course, but am thinking the full skirt is too full.  So, I embarked upon self-drafting my very own half-circle skirt!  Why not?



Working On: Estonian Socks

I’m not sure how it happened, once I finished my self-assigned interminable sock knitting, that I immediately turned around and started knitting more socks.

Because that’s exactly what’s happened.

These are even Nancy Bushes– they’re the Estonian Socks from Folk Socks (a 1994 classic that was just re-released last year). I’m working in Shepherd Sock, which I’ve never used before. I’m coming to terms with the superwash merino & nylon content.

Namely: is the environmental effect of eschewing superwash wool really worth it if the socks you make wear out in less than a year?

Anyway, it’s fun colorwork & a fun pattern, and I have less than two weeks to make the pair (and on US sz. 0 needles!).


Working On: Fuzzy Pink Mittens

Nevermind all that I said about spending time sewing this month. I’m knitting something so cartoonishly knitterly that I feel like a look-at-how-kooky-this-girl-is sitcom actress:

CAROLINE sits down at the café table across from NIC, pulls a fuzzy pink half-knit mitten from her bag, and begins working.

CAROLINE: So, how was the show last night?

I mean, this actually is what I did on Saturday afternoon.

Anyway, I’ve stumbled into a newfound but very real love for angora. I haven’t ever worked with it, since it always seemed to be too much for me. It’s not my taste. But I think the qualities I used to find so jarring– it is undeniably fuzzy– are now maybe what draw me to it. Angora cannot be ignored. It does not apologize for itself.

I will leave you with this shocking thought: I’m thinking a good bit about a day-of-the-week set of angora-lined pulse warmers. Lord have mercy.


Working On: Socks for Jay

I’m having so much fun with these.

Back in early July, my friend Maggie came to visit and casually let it slip that she’d just visited our friend Jay, and that the socks I’d knit him had seen better days (actually, verbatim: “So, I’m supposed to mention to you in a sort of an offhand way that they’re super worn-out, and that maybe you could just make another pair, if you have the time.”).

With that in the back of my mind, I went down to my old-but-new-again LYS last week, in search of something suitable. Lorna’s makes a spot-on Carolina Blue, it turns out (and exclusively for Yarns Etc!), but businesslike, it’s not.

I went with a yarn I’d never used before– Online Supersocke Silk in a granite-like gunmetal grey color. Online, a German yarn company (Ganze Banderole auf Deutsch? Absolutely.), is distributed by JMF’s distributor, so that extra familiarity made it all the nicer. The silk content– 20%– really made the slipped stitches shine, and gives (I think) an attractive look of precision & exactitude to the whole thing. You can tell that these don’t have any mistakes in them.

The pattern, aside from the skyp stitch, is a pretty uncomplicated one, but it’s very popular (also, it’s free! Thank you, Adrienne!). The herringbone running down the center of the ribs is really unusual, but looks especially great, I think, with this yarn.

I’m flying through these, so, soon!


Working On: Funchal Moebius

I’ve been working on this since last year– November 20, 2011– but things have ground to a stop.

This pattern, Kate Davies’ Funchal Moebius, is graphic, striking, and a simple knit. Since it was released last year during Wovember, I decided that I’d use my own fingering-weight handspun to make it– the gold is some Corriedale that came with my spinning wheel, and the white is Tunis from Infinity Farm in Cedar Grove, NC (I wrote about going fishing there, a few years ago).

However, therein lies the problem: I’ve done 4 pattern repeats out of 14, and I’ve run out of the Corriedale yarn. I sure can’t buy anything like it.

I’ve got plenty of roving, luckily, but it’ll be a challenge to replicate yarn I spun 2 years ago. We’ll see how it goes.


WIP: Shawl in 2 colors

WIP: Squishy Mittens!