Tag Archives: Knitting & Spinning

Project Organization: The Stash (Personal Yarn)

Since I try to limit my design yarn to that which I’m going to use — and since I’ve only planned about a year out for projects & books — my design yarn stash is, I believe, under control.

I’m not so sure about the personal stash.

Let’s just get the Shetland out of the way, shall we?  It’s personal yarn that I count as overlapping with designing yarn, and it’s kept in a cedar chest in the dining room.  It tucks under the window, next to the front door, and is occasionally used as extra seating.

I have two vintage cedar chests.  One was left to me by my grandma, the other I found on (yes, you guessed it) Craigslist.  Both have contained yarn at some point in time.  In fact, I got the second just to contain yarn.  Now my grandma’s chest stores linens (and a little bit of yarn) and the larger the Shetland.

Cedar chests are great for yarn storage IF you know what’s in there and IF you enjoy emptying it all out once in awhile to doublecheck you really do know what’s in there.  (I do.) You have to do a bit of digging otherwise, to find things.

I do try to have the Shetland arranged by color…but that doesn’t really work so well.  If I had (or made) dividers, I’d be able to manage it a bit better.

On the topic of Shetland…I have a variety of colors from J&S, Jamieson’s, Elemental Affects, and a little bit of Alice Starmore Campion.  The latter is for sale on my Ravelry stash page — I can’t justify keeping Shetland yarn I can’t use for designs, and, since it’s discontinued and not all the subs for the other companies’ colorways are exact, I don’t want to use it.

Sock yarn and miscellaneous yarn is kept in the English Arts & Crafts bookcase (Craigslist) (see above pic).

Sweater yarn is either in the bookcase as well, in the barrister’s bookcase in the living room, in our bedroom closet, and in grandma’s cedar chest.  It’s not that there’s a lot of it — probably six sweaters’ worth*? — just that it’s ended up in several places.  It used to all by in the second cedar chest, but the linens ended up there.  I’m working on destashing some fleeces & roving (if you’re local, and are looking to build up your fiber stash, leave me a comment!) so it will end up in the bins that used to hold those items.

Even were I to give up designing, I think I have enough yarn to keep me busy for many, many, MANY years.

Do you have a large yarn stash?  Is it a SABLE? (stash acquisition beyond life expectancy)?

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*Okay, here goes.  After making this list, I was so delusional with the 6 sweaters’ worth guesstimate.  Granted, some of these are more vest quantities than sweater, but to me, that counts.

 

Review: Ancient Egypt in Lace and Color by Anna Dalvi

Ancient Egypt in Lace and Color by Anna Dalvi,  Cooperative Press, 2012, 89pp.

I’ve always loved Anna’s first book – and I love this one even more, if that’s possible!

Anna presents us with 12 different patterns, featuring gorgeous yarn from indie and small dyers such as CephalopodindigodragonflyRocky Mountain DyeworkVerdant Gryphon, and more.

Each shawl was inspired by some aspect of ancient Egypt:   the gods (Thoth, Set (the cover shawl), etc), myths, places, and more.  The motifs range from fairly literal (the waxing and waning moons in Thoth) to more abstract (Girl with the Rose Red Slippers).  The colors themselves are symbolic and pertain directly to the theme of each pattern.

I love all the attention to detail and thought that Anna put into this collection!  This is a book you can read and enjoy, on top of the patterns.

Each pattern has clear charts.  Most have pictures of the shawl laid flat to show its shape. Shapes include  rectangular, triangular, crescent to circular, with various permutations in between.

My favorites include Nefer, a lovely crescent shaped shawl with nupps, offered in two sizes:

and Girl with the Rose Slippers, a half octagon with different sections, each symbolizing part of the tale:

…and Nefertari, a gorgeous swooping triangular shawl.  Anna is tall and lithesome — she looks stunning in these larger shawls!  I got to see her in it at this past TNNA.  Just gorgeous!

Would you like to win your own PDF copy of  Ancient Egypt in Lace & Color?  Leave a comment on this post with your favorite design (and why!) by midnight, PST October 3rd.

Photos © Caro Sheridan

Project Organization: The Stash (Design Yarn)

As noted in the previous organization post, I have one big major division:  yarns for designing vs yarns for personal use.  There’s a bit of overlap when it comes to Shetland yarns — I have a lot in my personal stash but do consider those as both personal and designing.  For this post, I’ll address just design yarn.

Most of my design yarn is for specific projects.  I’m totally thrilled to be given yarn out of the blue — who wouldn’t be! — but I feel very strongly that if I’m given yarn by a yarn company, it’s for professional use only.  If I can’t use it in a design, or at the very least for swatching, I’ll use it for giveaways or similar things that will promote the company.

I like having my design yarn visible and accessible.  For the longest time I had it in a large basket at the base of the sectional sofa.  I also had some in a leather tote next to the basket.  Then, as I acquired more, some went into the tall bookcase, along with personal yarn.

I wasn’t really happy with this:  yarn in three (at least) different places, mingling of design & personal yarn, and yarn not really accessible without dumping out the tote or basket.  Plus, the basket and tote contents were vulnerable to the cats, Rigel, and the occasional wine spill (WineAway is a great product, by the way, and works on yak yarn (sorry, Carl!)).

So, I’d been on the lookout for a solution.

Just a few weeks ago, on a walk on the Strand with Dave and Rigel, I noticed a garage sale sign that also said — oh thrills! — ANTIQUES.  We stopped in on our way back, after turning around at the Pier.

And I found this (well, here it is in my dining room):

Isn’t that the neatest piece?  It’s oak with oak veneer, and poplar dove-tailed drawers.  It has rolling fronts, like a rolltop desk, but the center one doesn’t really work so well. We estimate it’s from the 19-teens.

We spent about 3 hours removing the bottom panel (damaged), sanding the edges, and cleaning it (including each of the 27 drawers).  It’d been kept in the owner’s very clean, cement-floored, totally finished garage, but nearly 100 yrs of existence means a build up of dirt and grime.  I still need to take some denatured alcohol to it, but as you can see, it’s now in use.

I keep my needle cases and miscellaneous supplies in the upper left three drawers, and beads in the lower left and lower center drawers, but all the rest is design yarn.  I’ve grouped the yarn for the next book in some of the center drawers.

I love it. I can see bits of color and yarn, which makes me happy.  It’s easy to glance & see what’s where.  The shallow drawers mean that the yarn is layered only 1 skein deep, so if I open a drawer, I can see it all without digging.

The scale of the case fits our dining room better than the bookcase I had there before (that bookcase is now in our bedroom), so that’s a happy bonus.

Next post:  Personal yarn!

MFPP September: Autumn Nostalgia

I just published my MFPP ebook, Autumn Nostalgia!

As I’ve gotten older (old enough to have college age kids of my own) I think I’ve gotten more nostalgic about college.

As I note in the introduction, my college experience, at West Point, was NOT conventional.  I generally tell people, when asked how I liked the military academy, that it was a valuable experience.  Yet I do have some fond memories.  And there’s no denying the beauty of the campus in fall, with the brilliance of the red and orange foliage contrasting against the grey granite buildings and crisp blue sky.  I’ve not yet been to a class reunion — politically I’m so far away from most of my classmates I feel it’d be uncomfortable — but I’d like to visit.
By the time I did my pre-vet work (and zoology degree) at UT Austin, I was much older (relatively speaking) than my classmates.   In fact, once during class, when I was chatting with one of my classmates –I think about the Army reserves — something, in any case, to prompt him to ask my age — he blurted, “But you don’t LOOK that old!”  (I think I was 26 or 27.)  UT is a pretty campus, and I love Austin.  My parents live nearby so I do get to occasionally visit.

Vet school was, well, vet school.  Though I’ve stayed in touch with some of my classmates, I really don’t care about visiting College Station.  I do have very fond memories of where I lived — in a little house in a cluster of farm buildings.  The farm belonged to Ed, who taught at Texas A&M and ran cattle and built things around the farm (like the little house).  There were squirrels, possums, snakes (including water moccasins and copperheads), beautiful birds (Texas is great for birding), and an alligator in the bass pond. Really.
Before  I meander too much, here are the patterns:

Project Organization: Overview

“Organizing your knitting” encompasses so much, when you really start thinking about it.

I divide it this way:

1.  Yarn Stash

a. Personal yarn (note: some of this yarn also counts towards Designing, such as my Shetland yarns I purchased prior to designing).  Divided further into sweater quantities, sock yarn, fingering weight yarn, shetland yarn, lace, miscellaneous and so on.

b. Designing yarn.  Divided by project (i.e. all the yarn for the next book is together).  If not for any specific project, divided by company.

2.  Knitting books.  I try to group these by type (Aran/cables, Fair Isle/Stranding, stitch dictionaries, techniques, etc) but they’re also divided, for practicality, by size (i.e. what fits into what bookcase).

3.  Knitting tools.  This includes needles, crochet hooks, tape measures, stitchmarkers, blocking equipment, and all the various things that are handy to have.  I have a Namaste Cali Buddy Case in green that I keep my primary go-to things in — coil-less safety pins, stitchmarkers, scissors, needle gauge.  I also have a Daisy Muir medium needle case (the red one) that I keep other (often longer) things in:  a small ruler (that I picked up at TNNA from Images Stitchery Design — I don’t see it on their site, but it’s a pretty 6″ wooden ruler & needle gauge combo), pens, bandaids, etc.

4.  Individual patterns.  The obvious division is PDF vs hard copy.

5.  Miscellaneous business-y things.

I’ll address each section in its own post.

How would you divide & conquer?

 

Project Organization: Introduction

I’ve occasionally alluded (often by “procrastinating by decluttering” sorts of tweets, or my posts here; here and here; here; and here) that I’m one of those people who enjoy decluttering and organizing things.

This may, too, be why I design, and especially the types of designing I do:  going from chaos to order, from a myriad of choices and ideas to a final design.  Something to ponder.

We live in a small house (approx 916 square feet).  We love our little house (read the intro for California Revival Knits to hear me rhapsodize about it) but, well, space is limited.

We have our bedroom, a second bedroom that is the cats’ room (filled with Dave’s books and a few other things besides the cats), the bathroom, the living room, the dining room including its nook, the kitchen, and the laundry area/breakfast nook (used for laundry & computer area). Oh, and a small hallway.

Okay, before anyone asks: the cats get their own room because they’re indoor only cats and Rigel has a dog door and though Meggie and Cali have no interest in going outside Obi definitely does and he knows how to use the dog door so he must not have access to the dog door & thus they all must stay in their own room.

When we close Rigel’s dog door in the evening the cats come out.  Considering whenever I look in at them they’re all cuddled up in their basket I don’t think they mind tremendously.  Rigel sleeps in his kennel in the closet (that sounds vaguely Harry Potter under-the-stairs to me, but he (Rigel) often puts himself to bed, so apparently he doesn’t mind). The cats sleep with us.

In a perfect world, we’d have another bathroom, and a third bedroom that could really function as a guest bedroom…as well as a studio, or at least storage for all my yarn stuff.   Considering we’ve no interest in moving, we’re working with what we have.

I abhor clutter.  I really do.  It offends me.  I’m a big believer in William Morris’ quote Have nothing in your houses that you do not know to be useful or believe to be beautiful.

Clutter, to me, includes excess pieces of furniture.  It includes excess knick knacks.  It absolutely includes things that serve no purpose and/or just don’t get used.  It’s grown to include books I like, but simply don’t refer to or don’t re-read (I’m happy to re-read favorite books).

It includes perfectly good yarn that I know I won’t use.  Oh, that’s a hard one.

Regardless, we have a carefully curated collection of decorative stuff.  Seashells that we’ve collected on various trips, corralled into jars or vases.   Pretty rocks and minerals either displayed alone, in a bowl, or in one of our many bookcases.  A small collection of Zuni fetishes.  A shed antler I found on a visit to an exotics game ranch in Texas while in vet school, that the owner graciously allowed me to keep.

I’ve massively downsized my book collection, both fiction & nonfiction.  In fact, the only book collection that’s grown is my knitting library.

I finally found a new home (with one of the teachers where Dave teaches) for the cross stitch & rug hooking supplies I’d been keeping, thinking I could someday use them.  I never did use them.  I passed on some natural dyes to Jaala (who’s starting to dye yarn now!  gorgeous yarn!).  I know I have some other art & craft supplies that I should re-home, but I’m working myself up for that.

Furniture-wise, if something gets added, something has to go, or at least things get massively rearranged.  We’re balancing having pieces that we use & need with not having too much.

In the next post, I’ll give you an overview of how I organize my knitting.

In the meantime, here are some links on organizing your knitting supplies.  If you know of any others that you particularly like, let me know in the comments!

  • Tina from Peacefully Knitting just did a lovely room re-do;  read about it here.
  • How to Organize Your Knitting Supplies  Common sense, basic info.
  • Evernote I love Evernote.  Personally, I don’t use it the same way for knitting stuff (though I do use it to collect urls for pertinent links), but I do use it in other ways for designing, tech editing, etc.  That’s a blog post in itself.
  • Delightful Order Obviously, a kindred spirit.  I particularly like the re-purposing of the dresser.
  • Loopy Ewe    Stash storage.  Love the glass cabinet.  My yarn in my bookcase doesn’t stay as nicely stuffed, but maybe I just need to stuff more in there so it’s self-supporting.  Here is Sheri’s post on needle storage.  Read the comments, too:  lots of good info.
  • From Knitting Daily:  How to Organize an Unruly Stash
  • This is an old, looks-to-be-abandoned blog, but it’s all about organizing knitting with various contributors.
  • Peace of Mind  Basic info.
  • On Ravelry:  Organized Knitting etc Club, Home Organizing, Storage Ideas. There are others but these seem to be the busiest/ most active.
  • And oh, isn’t this lovely for by your chair or sofa?  It’ll never be in my budget, but I do like it.  However, since I don’t really have any straight needles, I don’t think I’d ever get it, even if it were in my budget.  It’s a leather version of those old Naugahyde ones that I think Namaste re-did.  I can’t find a pic or post about the one I’m thinking of, which is intensely annoying.

 

Wrought Socks KAL

The Wrought Socks KAL has started!  Cast on now, finish by Oct 31st.  Prizes so far include Knit Picks Aloft yarn in Tranquil to knit your own Undersea Garden & stitchmarkers, and a PDF copy of Anna Dalvi’s new shawl book, Ancient Egypt in Lace & Color.

Rhinebeck Bound

I’m going to Rhinebeck again this year!  Cooperative Press will again have a booth (I’m thinking it’s in the same location as last year — in the covered buildings, opposite end from the barns).  Of course all of us authors there will be merrily signing away copies of our books.

There’s also going to be a Cooperative Press party in town Saturday night — check out some of the details here or here.

In the spirit of Rhinebeck I’m planning on bringing (and wearing) one of the sweaters from my next solo book.  I won’t be able to resist bringing the Wrought Cardi as well, though I wore it last year.   Rhinebeck is really one of the few opportunities for me to really cozy into some of my handknits.

Are you going to Rhinebeck?

Bijou Basin & Undersea Garden pattern winner

Congrats to Kathy #20!  I’ve emailed you.

California Revival Knits: Interview with Carl Koop of Bijou Basin

If you’ve not yet tried Bijou Basin yarns…this is your chance!

Carl & Eileen have been tremendously supportive of me from the beginning of my designing career.  I’ve used their yarn for Don’t Fence Me In and, most recently, for the Undersea Garden Cowl for California Revival Knits.  (I’m also using it for a hat for Hitch & for a design in the new book.)   I met Carl at Stitches West several years ago, and we chatted for probably close to an hour about yak yarn, veterinary work (Carl’s an equine vet tech), and more.

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Stephannie:  How did you get started in this business?  How long have you been producing yarn?

Carl:  A few years ago my wife and I were looking for an agriculture based business to do an “early retirement” into. At the time I was working as a veterinary technician for an equine vet and while on a ranch call I came across some yaks.

I looked into the species, found that no one was doing a serious business with yak fiber and the next thing you know, here we are! In just two months from when I saw my first yak we had our starter herd of four animals on the ranch, a young bull and three heifers.

So far this has been a very interesting, fun and exciting business to run. It is a lot of work with a lot of hours to put in between running the ranch, and the day to day business as well as traveling to all of the shows, be are constantly learning new things, meeting new people and generally having a lot of fun.  We have been producing and selling our yarns for over five years now.

Why yaks?

We looked into a number of animals before settling on the yaks, such as sheep, alpacas, etc., but we wanted something new and different.  But different was not the only or most important aspect; we also wanted an animal that could provide a high quality product for fiber fanatics.

After I stumbled upon the yaks and began looking into their possible uses I found that the downy undercoat of the yak was considered to be as soft as cashmere, warmer than wool, and yet more breathable than wool.  It also had a number of other qualities that we thought would be appreciated by the knitting & crocheting world.

Yaks were appealing from an animal husbandry standpoint as well.  They are easy keepers, typically very disease resistant, have very little issues with calving, and are smarter than domestic cattle and each one has it’s own unique personality.

How do you choose your yarn bases and blends?

We know the wonderful characteristics of the Yak fiber and look for other fibers that complement and/or enhance them.

For example, bamboo fiber has a wonderful sheen and drape to it, however, it does not have memory and as such can be difficult or somewhat uninteresting to knit with.  When we combine 75% Yak and 25% bamboo together we end up with a wonderfully soft, and warm yarn that is a pleasure to knit with and results in garments that have exquisite drape and a natural sheen that lights up in sunlight.

What inspires your colorways?

We typically look for more natural colors.  While we appreciate and do have a number of bright and exciting colors such as our “Blush” which is a bright pink, the majority of our colors have a rich natural look such as our light blue called “Sky” or our deep green shade called “Hunter”.

The actual process of new colors starts with us collaborating with the folks at Lorna’s Laces who do all of our dying.  We give them some idea of what the new palette or palette addition should be and they then send us a number of samples.  We than have three of us, myself, my wife Eileen, and our Creative Director Marly Bird, individually review them and then select based on common likes and dislikes.  It actually is quite the process for a small company, but it is one that is very important to us so we think it is worth the time and energy

What festivals or conferences do you go to as a vendor?

This year we attended 12 different shows across the country.  Starting with Vogue Knitting Live in NYC last January to Stitches Midwest, Maryland Sheep & Wool, Rhinebeck, and ending at Stitches East at the end of October!

For a full list of the shows and where we plan to be next year your readers and look at our Events Page and they should look at it regularly as we are always adding to the list.  Currently we are planning 15 shows for 2012.  We really enjoy the shows because we get to meet our customers one on one, talk to them about their uses of our yarn, their likes and dislikes, and see their finished projects!

Shows are a lot of work, but at the same time they are a lot of fun.

How do you utilize the internet and social media as yarnie?  I notice for shows you guys do a lot of Tweeting, contests, etc.

We try to utilize social media, and the Internet as much as we can.  We have our own website, a bimonthly eMail newsletter, as well as a Facebook, Twitter and Ravelry presence, and in all of them we let our customers and friends know what is happening at the ranch, what show we will be next, what new products are coming, and most importantly when we are having sales, discounts, giveaways, etc.

We have also done some real fun things such as QR (quick response) Codes (those square blob like UPC codes) on our ads that take customers to special pages that have info on products as well as special sales and discounts.

As you noted, we also have used Twitter at shows to post “Yak Faks” randomly during the day and the first person to tell us the Yak Fak wins a prize!

Finally, we do a fair amount of advertising online as well through various blogs, eZines, etc.  We really think that the social media world is a great place for small companies like us to reach a large number of consumers.

What sort of designs are you looking for with your yarn?

We always look for classic designs that have a twist to them that will keep the design fresh and modern.  We want designs that not only look good, but are fun to knit and when the knitting is done are truly wearable garments.  We also are very aware of the characteristics of the yak yarn, such as fantastic stitch definition, softness and warmth, and always keep an eye out for designs that understand and take advantage of that.  And finally, we also try to find designs that help the customer get the most out of each skein of yarn.

What’s a typical day for you?

Here comes my only short answer: there is no typical day!  Every day can be a combination of shipping yarn, talking with retailers, working with suppliers, preparing for shows, interacting with dyers &/or designers, and of course working the ranch which sometimes takes several days in a row all by itself!

I guess the real answer to the question is “Busy, exciting, tedious, and fun!”.

What’s your favorite thing about producing yarn?  Least favorite?  I’m including all things ancillary to actual dyeing as well – so feel free to address marketing, website design, vending, etc, etc.

As far as least favorite my wife and I are split.  Eileen dislikes the accounting and bookkeeping and all of the paperwork that goes with it while I dislike any and all of the business negotiations such as advertising, suppliers, etc.  But we both agree that the best part is the interaction with our friends and customers.  Whether online or in person we really enjoy all of the people that we have met doing this venture!

Any dyeing or yarn plans for the next year you care to discuss? New bases, colorways, etc?

We have released three new yarn blends this year and are very proud and happy with all three.  We stepped out of the Yak fiber world with the first two, but definitely stayed in the luxury exotic world with both.  They are “Seraphim”, an incredible Angora yarn, and “Roslyn”, an amazingly soft Cashmere/cotton blend.  They were released earlier this year and our customers simply love them.  And just this month we released the third, a 50/50 Yak/silk blend called “Shangri-La”  and it is flying off the shelves!

And without giving away any “corporate secrets” I can say that all of  the Yak down purists out there should keep a close watch on our web site/Facebook/Twitter pages as I think they will be happy and excited with our pending “sporty and colorful” announcement!

Rosyln & Seraphim are beautiful, and I can’t wait to see some Shangri-la!  Thank you, Carl, for taking the time to answer these questions!
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Want to win a skein of Lhasa Wilderness & a copy of the Undersea Garden pattern?  Please comment on this post, by midnight PST 3 September 2012, with your favorite Bijou Basin yarn & colorway, or with what color Lhasa Wilderness in which you’d like to do your Undersea Garden!  I’ll use  Random.org to pick a winner.